Grahpology

SYMMETRY
Symmetry is a yardstick of the writers inner balance and developement.
Symmetry is used to establish style value.
When the upper zones are strongly developed we are dealing with a person of intelligence and ambition.
However their emotional development remains infantile.
If the middle zone is strongly developed this is a person whose sentimental and sensivity and concern for themselves are likely to result in emotional pain.
If the lower zone is overdeveloped we are dealing with a writer who is overconcerned with money.

LEGIBILTY
Legibilty is a measure of the writers sense of purposefulness.
Legible handwriters make good teachers and speakers.
They are sincere and co-operative.
But beware of the person whose writing is impressively legible.
These people are wolves in sheeps clothing

SIZE OF LETTERS
The size of a letter is indicative of the writers self reliance.
A letter may extend in four directions, up, down, right or left.
A letter may also be tall and wide.
Tall capitals are people who tower above the rest.
Tall initials come from impressive people.
Small capitals are people who are modest in nature.
They concentrate on facts, not ideas.
Wide letters are extroverted people.
Narrow letters come from loners

CONNECTION OF LETTERS
The connection of letters shows the writers attitude toward others.
In writing there are three mainly used links, garland, arcades and angles.
Deep garland indicate people who take things too tragically.
Enclosed garlends are people who tend to be calculating.
Flat garlands tend to come from the practical business man.
Square garlands tend to come from narrow minded people.
Supported garlands come from people who need emotional support in life.
General arcades show people who rely on instincts.
High arcades show artistic gifts. <>P> Low arcades show hypocrasy.
General angles show people who have contradictions in feelings.